约翰列侬在纽约，最后10年，光辉下的真实面目，此片让你更完整地了解列侬。

约翰列侬在纽约，最后10年，光辉下的真实面目，此片让你更完整地了解列侬。

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

两个加利西亚的年轻人在纽约度过周末，然而旅行中的一些事情改变了他们的生活。于是，他们与从前的自己大不相同。

两个加利西亚的年轻人在纽约度过周末，然而旅行中的一些事情改变了他们的生活。于是，他们与从前的自己大不相同。

On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.

On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.

该片改编自迪伦1975年至1976年的《奔雷秀》巡演，片中将包括迪伦本人的幕前采访。本片被描述为捕捉到了1975年陷入困境的美国精神以及迪伦在那年秋天演奏的欢乐音乐。据悉本片不会以传统纪录片的形式展开叙述。

该片改编自迪伦1975年至1976年的《奔雷秀》巡演，片中将包括迪伦本人的幕前采访。本片被描述为捕捉到了1975年陷入困境的美国精神以及迪伦在那年秋天演奏的欢乐音乐。据悉本片不会以传统纪录片的形式展开叙述。